-- Jim Ross updated his blog at JRsBarBQ.com, here is what he said about "The Rated R Superstar": "Great to see Edge fulfill his commitments and travel with WWE on this European tour to say adiσs to his fans. I can still vividly remember hiring Edge and Christian out of Ontario back in the day and then signing them both to a full time deal one night at a TV taping under the bleachers of an arena that slips my mind at the moment. Edge has so much to give to the business and I'm relatively certain that WWE will utilize Edge's many skills in the future.
"I know of many wrestlers who, when dealt a hand such as Edge, would not have fulfilled their commitments on what isn't an easy tour."
AN AMAZING CAREER
For those of you who don't know, Edge and I used to regularly perform one of the greatest tag-team moves of all time. Let me set the scene for you. Any arena, in any part of the country for roughly an eighteen month period -maybe early 1999 through late 2000. Al Snow, despite what I may have written in the past, was actually quite a witty guy; more than capable of holding his during the course of our legendary (if ridiculously drawn-out) battle of the brains. Think of each insult or joke as a punch, putting together as many as possible - some better than others, some hitting their mark, other missing wildly with the ultimate goal of knocking your verbal sparring partner out. It was not unusual for Al to start off strong, peppering me with jabs, sinking some solid body shots. But like DeNiro in Raging Bull, Al Snow never did put me down. Why? Because he lacked my secret weapon. Because, literally, he had no Edge. But I did.
Sensing that his friend might be in danger of an embarrassing loss to the underdog Snow, Edge would leap into action, overselling the laughs at whatever feeble comeback I tried to mount, before combining with me to hit the valiant, yet doomed Snow with that most incredible of finishers The White Guy Jumping High Five! The move was a guaranteed knockout: creating such waves of laughter among my WWE contemporaries, that Al would simply concede defeat, saying something about how it wasn't fair, that Edge was my henchman, that my jokes weren't even funny, blah, blah blah. All valid points, but none of that mattered at the time..or even now. All that mattered then..and now, is that Edge was my secret weapon, and that I was undefeated in locker-room (or airplane, train, boat, baseball games..you get it) showdowns with Al Snow.
It didn't take a crystal ball to see that Edge was going to be a star. He clearly had the moves, the look, the charisma. But it wasn't until a particular "Brood" interview, where Gangrel seemed to stumble verbally, that Edge was given a chance on the stick an opportunity he took full advantage of; leaving all the boys with that unmistakable "ohh, he can talk, he's going to draw money" feeling. Clearly, this guy was not meant to be either silent or brooding, and within a matter of weeks (or so it seemed) Edge and Christian had been de-Brooded and began to explore their more comedic side, from the 5 second poses for those with the benefit of flash photography, to their stellar showdowns with the kick-ass, take-names new Commissioner of WWE me! I've often mentioned that my days as WWE Commissioner were among the happiest of my career. And of all the things that went into making that time so happy, nothing made me happier than to work with Edge and Christian on a series of bizarre, innocent and ridiculous backstage vignettes we collectively referred to as "Chredgeley" as in CHRistian, EDGE, and foLEY. You know, until I wrote that out, I never realized that Edge got his whole name in there, and Christian and I only got three letters each. Hey, that doesn't seem fair! Not trying to sell A DVD here, (especially since I have a new one coming out on 4/19 that I WILL be trying to sell) but I enjoyed working with Jay and Adam (pretty sure you know which is which) so much, that I specifically asked for a "Credgely" compilation package on 2000's "Hard Knocks and Cheap Pops" video.
As funny, and as talented as each were, it wasn't until Summerslam 2000's "Tables, Ladders and Chairs" match that the world began to see them as legitimate superstars, and ironically, not until returning from 2003 spinal fusion surgery on his neck, that Edge was given a legitimate chance at breaking through that glass ceiling; the invisible, yet very real barrier that prevented most WWE Superstars from ever taking that final step from Superstar to SUPERSTAR from valuable role-player to main eventer. The 2003 Edge didn't tap at that ceiling. He didn't ask politely if he might gain entry. He smashed through it, just bleeping shattered it. He didn't take that final step; he pretty much just vaulted over everybody. And he did it with a hybrid of tools ring experience, psychology, humor, physicality, determination that allowed him to steal just about every show he appeared on. I got to see a few of those matches live. I watched many more on television. Hell, I even got to be in one of them Wrestlemania XXII, where the Edgester wove his magic spell on a clearly out of shape, past his prime relic of a by-gone era and allowed him (meaning me) to have that one elusive great Wrestlemania moment.
I had no doubt at the time, 2006, that Edge was the number one wrestler in the business. I think one could put up an argument that he was the number one wrestler for a period of time during any one of a number of years. His matches with the top WWE stars of his era The Undertaker, Triple H, Rey Mysterio, Randy Orton, John Cena, etc. etc. are the stuff of legend. If there is any weakness to an argument for Edge, it is that he did amazing matches with such regularity that I'm not sure fans could completely appreciate just how amazing they were. Following my Mania match with Edge, I spent a LONG time in bed, caught a late flight, and made it home just in time to see Edge on Raw, stealing the show again less than 24 hours after stealing the biggest show of the year.
I don't know if there will ever be a consensus on who the best wrestler or worker of that era (call it 2003-2011, starting and ending with the neck injury) is or was. I once said I could make a good argument for Shawn Michaels - and I can. I think I could make a pretty good argument for Kurt Angle. Based on big money matches, some might say Triple H. For pure wrestling, maybe AJ Styles or Samoa Joe, or any number of Japanese stars who have flown beneath the mainstream radar.
But look at the other attributes that Edge brought to the table. A willingness to fully immerse himself in every storyline to make people believe, or at least to believe that he believed. He embraced the ridiculous. He loved the emotional. He thrived under pressure. He stood up for what he thought was best for his characters, his matches, his opponents, and the shows. As viewers, we knew that every segment he appeared in was going to be good. But more importantly, we knew that any segment with Edge had the potential be great. In baseball terms, he was a five-tool player; a guy who could do it all. There have been other five-tool players in the wrestling game guys who could wrestle, draw money, talk, create characters, be dramatic or comedic. But to me, he was the most versatile, and the most entertaining. So while there may be an argument over who the GREATEST WRESTLER was from 2003-2008, to me, there is no real argument over who was the era's GREATEST PERFORMER. Hands down, it goes to Edge. What an incredible person. What an amazing career.
- Mick Foley